Sunday, May 31, 2009
Houston, TX- In 1965, Fred Carroll started a record label called International Artists so that he could market a band by the name of the Coastliners. It was a failed endeavor which led to him quickly selling the record label for $35 (the cost of the printing ink for the logo) to local lawyer Bill Dillard. Bill got together with Noble Ginther (another lawyer), Lester Martin (a recording studio owner), and Ken Skinner (of Tapier Music Corporation) and released a series of 45 singles that garnered very little recognition.
It wasn't until they caught wind of an Austin act by the name of the 13th Floor Elevators and signed contracts for the release of You're Gonna Miss Me that people started paying attention to the label. After the Elevators' two Dick Clark appearances and a second run of the popular single, it wasn't long before the label felt in over their head so they hired Lelan Rogers from LA to handle their production and promotion. Shortly after this personnel addition, the label signed Red Crayola (later called Red Krayola), Lost & Found, Thursday's Children, and the Golden Dawn. The move to a psychedlic repertoire was extremely evident in the acts that they signed to the label.
In 1968, the label started to suffer and Lelan left. IA decided to hire Fred Carroll back, who took over the tasks that Lelan had been brought on to do. Things started to perk up a bit with a release by Bubble Puppy and IA acquired a record plant in Nashville. However, the label officially filed bankruptcy in 1971 and little else happened until Lelan bought the rights to the Elevator's back catalog in 1975 and Roky Erickson & Mayo Thompson (of Red Krayola) resurrected their careeers. The unfortunate thing was that with all the interest generated in IA and the 13th Floor Elevators, the lack of output resulted in mass bootlegging of albums throughout Europe, Scandinavia and Japan. Lelan finally sold off the rights shortly before his death in 2002 after a legal battle involving the 13th Floor Elevators. A very thorough insight into this debacle can be explored in Paul Drummond's book Eye Mind: The Saga Of Roky Erickson And The 13th Floor Elevators, The Pioneers Of Psychedelic Sound. Although, some have questioned the integrity of what has been written there.
In 1980, a 12-LP box set of International Artists' releases was pressed; it included re-issues of previous recordings, demos, interviews, and radio spots. Sunspots released a CD and LP of Epitaph For A Legend- capturing the high points of this box set- only a few years ago. It quickly went out of print and was issued yet again by Collectibles as a double CD. Here is the Sunspots pressing of this original single disk collection.
Epitaph For A Legend
Epitaph For A Legend Liner Notes
Friday, May 22, 2009
In 1989, Chumbawamba released an album of a capella songs of rebellion spanning many centuries. The 10-inch record did not sit well with the "punk public" who were still listening to "re-hashed versions of Feeding of the 5000." The staff of Maximum Rocknroll even had a staff meeting to discuss whether they would continue to do any write ups or interviews with the band and after a hearty discussion deemed the recording as "not punk" and haven't mentioned them much ever since. In Ian Glasper's book The Day The Country Died: A History Of Anarcho-Punk-1980-1984, Boff Whalley said, "On the one hand we thought it was ridiculous, and on the other we thought it was quite funny! Some of those people were just gob-smacked...it's no good getting all upset about it; we never said anyone had to like it; we just wanted to provoke them, to get them to try something different for once..."
English Rebel Songs 1381-1914
Tuesday, May 12, 2009
Wolfgang Borchert, a German playwright during the Second World War, found himself sentenced to death by the Third Reich for his inflammatory criticism of the governing party through his writing and plays. He was sent to fight in the front lines as his punishment. Each time he returned wounded and was accused by the Nazi government of intentionally wounding himself in order to escape death in battle. A year after the end of the Second World War, he finally succumbed to his wounds but not before enjoying a bit of success for his work in theatre. His appeal lay mostly in his firmly held idea that the youth of Germany were not responsible for the sins of their fathers.
Aryawn's latest musical effort focuses specifically on the prose of Wolfgang Borchert. His written account of being a soldier expected to easily flow back into the structure of society after encountering the hazards of war are relevant to those who are about to return to a world that will never be the same for them. The musical approach on this new CD demo is quite different from the previous recording effort. Although there are hints of an alternative sound still present, it has fewer ties to the punk roots in Aryawn's first recording. It almost begs the question: Now that punk rock has grown up and given birth to children of its own... who is responsible for the most current sins being perpetrated on society?
Bush, Borchert, & Birkenstocks