Thursday, October 29, 2009

Sonic Drive-In, Not Drive-Thru...


Mystery gift provided by robotic drive-in employee. A little bit of everything for everyone. This mechanistic minion of corporate drive-in wage slavery is also a purveyor of fine weirdo folk or whatever neue-hipster label you wanna affix to his rampant musical meanderings.





Wooden Tit Bean Ice

Sunday, September 13, 2009

Not Much Ashtray Dirt...


Garage rock from Philadelphia produced by Joe Talcum of the Dead Milkmen. Ashtray toured extensively with Afghan Whigs and Ed Hall throughout the '90s. They released a couple of 7-inch records and a full-length CD.

Here's a smidgeon of their self-titled CD:

Ashtray

One, Two, T'ree... Sing It, Nancy!


The first female MC in the reggae dancehall scene, Sister Nancy, began her musical career in the late '70s while working with her brother, Brigadier Jerry. Performing at Reggae Sunsplash and releasing a live album on Heartbeat Records, she quickly became a celebrity with the release of two LPs and a collaboration with Yellowman. She still performs occasionally but currently works at a bank in New Jersey, stating that she gave her career a rest so that other female DJs could step up to the plate.

One, Two...

Twist It, Bo!



A second installment of Bo Carter re-issues brought to you in 1973 by world-renowned record label Yazoo Records. The unusual approach he took with strumming the guitar makes him one of the masters of the blues guitar. In a genre where so many collections of musicians' recordings come off as repetitive, Carter's ability to maintain the listener's attentiveness to what he's doing with the guitar is quite astounding.

For those who are so taken in by his picking that they wish to try to emulate, there is an actual DVD devoted to studying his playing technique here.

Twist It Babe: 1931-1940

Monday, September 7, 2009

O'Hell with Anok in the PRC


Dave O'Dell traveled to China in the mid-1990s as a foreign exchange student for a semester and wound up staying for 8 years. This period of time proved fruitful in the form of several jobs: writing for Beijing Scene, working for Pearl Printing's technology sector, developing and printing web promotions for bands on the Rock Records label, as well as some film work with IMAR Film Company (the first independent film company in China).

A chance meeting with China's first punk band, Gao Wei And Underbaby, led to many organized punk gigs, including the first punk festival, titled (you guessed it!) Punk's Not Dead. A shy friend by the name of Xiao Rong said he was starting a band called Brain Failure. Although, the first incarnation of the band didn't last too long, a new incarnation was started when Dave decided he would join as bassist and it wasn't long before the band became a hit sensation with Chinese youth. Brain Failure even went on to play in US musical events such as CMJ and SXSW in the late '90s/early 'oughts.

The Anarchy Jerks are basically a Chinese Oi band. Their gigs are almost always followed by government repression of various sorts, which usually end with shows being shut down by cops with guns and in riot gear. They even played a rave in Yunnan province on a small island that was located outside of Dali, where police landed and demanded to know what a DJ was and whether raves were considered subversive. The police asked one kid if his wallet had some kind of political significance and used this as the reason for shutting down the rave.

Although, a Westerner may think that some of this music simply hearkens back to English punk and oi, it's amazing that a youth movement of this sort can flourish in such a repressive and contained environment.

Anarchy In The P.R.C.

Tuesday, June 16, 2009

Not to be Confused with the Metal Band by the Same Name...


Although this CD is out of print, a Google search will show that excerpts of this album by Diamondhead have made it onto many online radio shows. This drone outfit was started by L. Eugene (Lonnie) Methe ("The New Obama"). Hailing from Omaha & Philly, Mr Methe sought musical refuge in Austin for a time and played live gigs with the rhythm section from The Young.

"...the entire album manages to sound like they're in the process of tuning up for a real gig that probably happened after someone turned off the tape recorder." - RKF, Dead Angel

"Throbbing rhythms and loopy experimentalism trade body blows. No one wins, but it sounds really cool."- Jon Worley

'Dirty Realism'

Tuesday, June 2, 2009

"You Could Call It a Gimmick but That’s Just Short-Sightedness..."


Originally released on Anomalous Records, this album was re-issued by Sublime Frequencies, where all copies quickly sold out! The sonic explorations captured by Robert Mills fit well within the parameters of the Alan Bishop recordings on the Sublime Frequencies record label so it's not a big shock that they picked up this auditory treasure.

"Let Millis be your guide on this mini-odyssey through strange lands; great to listen to and also useful as an insight as to the one of many 'bedrock' influences on the work of this very singular band."
-- Ed Pinsent / The Sound Projector

Leaf Music, Drunks, Distant Drums